
Some of the best lessons in photography come from turning the camera on yourself. In 2016, I set out to do exactly that — a monthly self-portrait project built to push my skills into places my client work rarely takes me.
I started simple. This was my first real attempt at working with a remote shutter system, which meant learning to focus my camera on a spot where I wasn’t standing yet, then stepping into frame and hoping the composition held. It’s a style of portrait I’ve always loved, and with no local model on hand, I became my own subject and stand-in.
The next set became a quiet series about searching — a journey through the woods toward something unknown. I also experimented with lens distortion from a few different pieces of vintage glass, layering in effects I hadn’t used before. It’s a technique that’s stuck with me ever since.
For the final stretch, I challenged myself to shoot indoors on a plain white background, a departure from the natural light and open air I usually gravitate toward. I played with unconventional poses and editing styles so the images read as more than simple headshots, then paired them with a second set on a scenic backdrop for contrast.
Projects like this one are why I keep growing as an artist — trying techniques on myself before I ever offer them to a client. If you’re curious what that same eye for light and story could do for your own portraits, I’d love to talk.
A project like this needs unstructured time more than it needs gear. That is the point of my artist residency in Joshua Tree.



















It’s a personal exercise where a photographer becomes their own subject, often used to test new lighting, posing, or editing techniques before offering them to clients.
It’s one of the fastest ways to grow — you get instant, honest feedback on what’s working, and you build empathy for what it feels like to be in front of the lens.
March 19, 2014
Comments Off on A Self-Portrait Project: Learning to See Myself Behind the Lens